Power 100 Watts
Poweramp Current
Feedback( synonyme : larsen ) Le feedback est un effet entraîné par la proximité de l'émetteur amplifié ( exemple : haut-parleur, amplis, etc... ) et du récepteur ( ex : microphone, guitare, etc... ). Technology for warm tube-like tone
Effects Chorus,
FlangerEffet ajoutant au signal d'origine ce même signal mais dans une fréquence légèrement différente ,
Tremolovibrato. ,
DELAYNom anglais signifiant "retard", désigne un effet sonore inspiré de l'écho, basé sur la répétition d'un signal. Les réglages de base sont la durée entre chaque répétition (delay time ou rate) et le nombre de répétitions (feedback). L'effet peut être analogique (électronique ou à bande) ou numérique. Il se présente sous forme de pédale ou de rack. Les effets numériques à modélisation permettent d'émuler les caractéristiques des effets "vintage", comme l'atténuation des aigus au fil des répétitions. ,
ReverbAussi appelée réverbération ou "effet de salle", elle résulte de l'interaction du son avec le milieu dans lequel elle évolue., seperate per channel (Channel-FX-Memory)
Effects Loop Serial
Footswitch/Stageboard 4-way Stageboard (FS-4) included
Switching Functions Clean, Crunch, Lead, Ultra
Special Features Channel-FX-Memory, CD-Player Input, Headphones Out
Headphones Yes
CD-Input Yes
Line Out Yes
Speakers 1x 12'' Rockdriver Ultra II
Dimensions 574 x 500 x 285 mm
Weight 22 kg/49 lbs
ATTAX 100…and the stage is your home!
Get Rockin’!
Are you seeking a muscular amp that packs a mighty punch? A versatile amp that serves up all the fundamental flavors of great rock tone, topped off with lashings of luscious effects? An enjoyable amp so fun to play that sparks of musical creativity and inspiration fly off your fingertips? Then your search ends with ATTAX! Four powerful channels, three effect modules individually configurable for each channel, and a phantom sound tech that activates your effect settings automatically when you switch channels – now that’s what you need to stop shoppin’ and get rockin’!
You will have found your sweet-spot sound while others are still busy fiddling with features!
Nervous knob twiddling between songs? Forget it! Doing the stomp-box tap dance to get a good lead sound? All that’s history! You’re a musician, not a programmer. Free your mind and focus on your performance; ATTAX will take care of the rest.
Real Rockers Don’t Model
Delivering the goods on stage is a tough job, but somebody has to do it. And the stage chose you, so you need a reliable, rugged amp that can take a knockin’ and keep on rockin’. Off the steamy stage and into the freezing trunk, standing on end, unprotected - that would be the death of every tube amp. So you need a solid-state solution.
Of course, you want variable sound with beaucoup effects options. And you want this without the hassle of switching to, fro and
Backfond again, a rat’s nest of cords, migraines brought on by empty batteries, and mysteriously disappearing wall-warts. An all-in-one solution is what you want. But please, no modeling. After all, you aim to set trouser legs a-flappin’ with that good-ole analog punch.
Technology of Tone
Back in the ‘90s, ATTAX amps were celebrated milestones in solid-state amp history. They married brute force power to subtle sound-sculpting options, with versatility and uncompromising finishing quality thrown in for good measure. And all this performance came at an unbeatable bargain of a price. Ten years on, the masterminds who brought you the TriAmp, Switchblade, and the like have revitalized the ATTAX, pairing its proven virtues with the latest technology
Equipped with four channels, ATTAX delivers to-die-for tone. Squeaky Clean, throaty Crunch, cutting Lead, and ripping Ultra high-gain – this amp takes you to all four compass points of the rock music map.
ReverbAussi appelée réverbération ou "effet de salle", elle résulte de l'interaction du son avec le milieu dans lequel elle évolue.,
DELAYNom anglais signifiant "retard", désigne un effet sonore inspiré de l'écho, basé sur la répétition d'un signal. Les réglages de base sont la durée entre chaque répétition (delay time ou rate) et le nombre de répétitions (feedback). L'effet peut être analogique (électronique ou à bande) ou numérique. Il se présente sous forme de pédale ou de rack. Les effets numériques à modélisation permettent d'émuler les caractéristiques des effets "vintage", comme l'atténuation des aigus au fil des répétitions. and Modulation effects add three expressive colors to your sonic palette. Knowing Hughes & Kettner’s reputation for engineering excellence, it should come as no surprise that these are intelligently integrated, user-friendly on-board effects. Case in point: A nifty little feature called Channel FX Memory ensures every channel automatically activates with its own FX setting when you switch over to it.
Punchy, warm tone is precisely why players put up with fickle tube amps. To capture the burly, beefy warmth of valves running hot, Hughes & Kettner’s tone-tweaking specialists endowed the ATTAX with a power amp featuring the same current
Feedback( synonyme : larsen ) Le feedback est un effet entraîné par la proximité de l'émetteur amplifié ( exemple : haut-parleur, amplis, etc... ) et du récepteur ( ex : microphone, guitare, etc... ). used in tube power amps. Current flowing through the speaker feeds
Backfond into the power amp to lend a distinct tube-approved flavor to its response.
To convert all this awesome potential into sound pressure, the ATTAX comes in a sophisticated multiply wood housing loaded with a custom, second generation 12" Rockdriver Ultra speaker that delivers true 100 watts of output power.
