A classic analog /digital rhythm box with 11 battery sounds, a 64-step sequencer, a wave generator and a Behringer rhythm designer RD-9 bimode filter

Rhythm designer RD-9 provides all the tools you need to become a Beat-Maker master, including: 11 battery voices; a 64 -step sequencer; A wave designer and a bi -mod filter - for a full -fledged rhythm box that will shake the house! Whether you are a novice in terms of battery programming or a experienced professional seeking to improve his installation, the RD-9 has everything you need to pass in the big leagues.

The rejuvenated masterpiece
The RD-9 was designed with the greatest care to offer new possibilities for creating rhythms by bringing back The timeless design of one of the most classic rhythms of yesteryear. By adopting a fresh and modern approach to a classic rhythm box, the RD-9 allows you to exploit the phenomenal sound of the venerable TR-909 while benefiting from new features. From colossal bass with sizzling charlestons, you can handle them to raise your rhythmic performance at a higher level. It is a monster of the creation of analog rhythms!

Complete control
Designed to improve your performance, the RD-9 offers all new functions for live use in each of the sequencer modes, especially the Repetition of steps, repetition of notes, trigger in real time and live step-operedubbing. It is thus easy to activate recording in pattern mode, which allows you to build pieces of pieces on the fly and iron in reading mode by simple press of a button. Each of the 11 original battery sounds has its own orders for agreement, level, attack and decline, which allows you to adjust each sound as you wish or adjust them in the action of the action To create battery sounds whose intensity and tone vary over the song. Add a little more excitation with the automatic filling function and introduce more variations. You can even select another piece in memory without interrupting reading, which allows you to run whole sets from start to finish, simply with your RD-9.

Powerful sequencer And rich in functionality
The RD-9 has one of the most powerful step-by-step sequencers ever created. Sequencer 64 Pas can store up to 64 patterns and 16 pieces with a continuously variable swing, which allows you to imitate a real drummer and give the rhythms that you create a more human sensation.

Wave designer and Bi-Mode filter
The integrated wave designer has individual attack and sustain commands which can be applied to individual votes for Give another dimension to your battery rhythms. In addition, the very flexible bi-model filter button on RD-9 allows you to switch between LPF and HPF, which allows you to experiment with the cutting frequency and resonance controls to create extraordinary rhythms, while that these fluid scannings can be recorded directly in the sequencer and refined using the Pas publisher.

Chaining of parameters
The robust encoder From the RD-9 allows you to define distinct chaining preferences for each of your parameters, allowing them to operate overall or to switch when a piece or a changing pattern. The parameters include the tempo, the swing, the flame, the probability, the mutates/solos of independent tracks, the fx bus assignments, the filter modes and the sweeping for an improved real -time control. The patterns can be changed on the fly for additional creative control when you use the RD-9 as the heart of your live installation.

USB control
To do Enter the RD-9 into the modern era, USB connectivity has been added for synchronization and MIDI trigger. This allows the RD-9 to be controlled by your DAW if you wish, thus making it possible to trigger individual sounds.

The figures
The RD-9 has 33 buttons and 58 keys, all arranged in a very intuitive format which gives pleasure to the creation of rhythms. Input and output connections include: Phones; Mono audio; Midi in, out and Thru via USB and Midi 5 -pin ports; And 11 independent analog outputs for external treatment or recording your rhythms as a multi -ist audio. With its 3 trigger outings, the RD-8 allows you to control external synths and hardware sequencers to create pieces without having a digital audio workstation (DAW) in sight. The RD-9 can also send and receive clock information with a very precise timing to synchronize with the outside world.

a brief story of rhythms < BR /> From its humble beginnings as a rhythmic medium for the organists, until the emblaissment of dance tracks with its implacable and hypnotic rhythms, the rhythm box is one of the least appreciated musical inventions. Without compromise in its metronomic precision, the rhythm box provides a flawless rhythmic section which never tires of playing the same loop of four measurements. However, when they are placed in the right hand and in the right musical context, they can be refined to create a breathtaking rhythmic art.

First rhythm box - Rhythmicon
The revolutionary Rhythmicon was created by the Russian inventor Leon Némin in 1931. The machine is the fruit of a Collaboration with the American composer Henry Cowell and can produce up to 16 different rhythms with a striking Bleepy sound.

Chamberlin rhythm
Rhythm was a pioneering rhythm box, which used band loops to create rhythms intended to accompany an organ player. The machine had 14 band loops with a sliding command that allowed the reading of different tracks on each piece of band that could be combined to create many variations.

Roland Compurhythm CR-78 < /B>
The CR -78 is a classic analog rhythm machine - and was the first to use a microprocessor. The 34 integrated patterns could be modified by simple pressure on a button, thus offering the user a much larger creative control. Regarding battery sounds, the CR-78 offers 14 very electronic, but analogy battery sounds. Among these sounds are the Kick, the Caisse Claire, the Rim, the Cow Bell, the Hi-Hats, the Cymbales, the Congas, the Bongos, the Tambourine and the Guiros. With 11 variation effects and the possibility of adjusting the tempo, accents and fade inputs, CR-78 is always capable of producing exquisite rhythms to use in ambient hip-hop and many other forms of music . One of the best known uses in the CR-78 is found in the 1981 Phil Collin tube, "In the Air Tonight".

Roland Tr-808 Rhythm Composer
In the universes of techno, house, hip-hop and R&B, the Roland Tr-808 is an essential machine. His sound signature, the big drinking case that created the groove of the Tubes of Marvin Gaye, Afrika Bambaata and 808 State, is currently one of the most used sounds in modern music.

Despite its current icon status, when it was released in 1980, the 808 was in no way a bestseller. Many people did not like his simplistic sound and preferred more expensive machines like the digital sampling londrum. However, the producers of the underground scene of tart music turned to the TR-808 and the whole range of Roland products, including the TB-303, the SH-101 and the TR-909, which gave to These boxes their icon status and their modern prices.

Roland tr-909 Rhythm Composer
The tr-909 featured the sampled and analog drum sounds that have Become synonymous with house and techno music. This programmable, step-sequenced drum machine was launched in 1983, and while it was not an instant commercial success, it soon gained an underground following. With Din Sync 24, Midi In and Out and Individual Outputs for Each Sound, The Tr-909 Could Be Integrated Into Studio and Offers Numerous Controls for Controlling Each Sound. The Tr-909 has been used by the prodigy, the Chemical Brothers, Moby, Fatboy Slim, Orbital and Jean Michel Jarre. It would be hard to find a techno or house producer whon't used a tr-909 kick in a track at some point.

linndrum
The Inspirational Lurndrum was created by Linn Electronics in 1982, Using Superior Sounding Samples That Gave Birth to New Generation of Users who Are Synonymous with the Sound of the 80's. The Lurndrum was used on Countless Classics Tracks throughout the '80s, include hits by prince, tears for fears and madonna.

Oberheim DMX
launched in 1981, the Oberheim DMX ALSO USED SAMPLED SUNDS OF REAL DRUMS, Individual Tuning Controls for Each Voice and A Swing Function to Add A Little Grove. The Controls Gave the DMX The Ability to Emulate A Real Drummer via Timing Variations, Rolls and Flams to Create A More Human ?feel?. The DMX HAS 11 SAMPLES, WHICH CAN BE USED TO CREATE 24 Individual DRUM Sounds and Allows Up to 8 Voices Simultaneously. It has 8 Separate Outputs for Individual Channel Processing and Holds Up to 100 Sequences and 50 Songs.

The DMX?s Hard-Hitting and Convincing Drum Sound Made IT Attractive to Artists and Producers in the Burgeoning Hip-Hop Culture and it is featured on many of the Scenes Early Innovative Records. New Order used the DMX to Great Effect On Their 1983 Single, ?Blue Monday? with its Repeating Bass Drum Pattern.

e-mi SP-1200
released in 1987, the e-mi sp-1200 was quickly accepts into the hip-hop world due to its limited bandwidth Sampling Rate, Classic 4-Pole Filter and 12-Bit Sampling Resolution. This all contributed to the Unit?s Gravelly Sounds, Which Have Been featured on Many Hit Recordings. The SP-1200?s Ability to Build the Main Structure of A Song Within A Single Piece of Gear (A First In the Industry) Cut Hip-Hop Artists Loose from the studio to perform alongside the machine. FAMOUS USERS include The Beastie Boys, The Prodigy and Daft Punk.

akai mpc60
The Celebrated akai mpc was designed by Roger Linn and produced by akai from 1988 onwards . The MPC Allowed Artists to Use New Clever Ways to Manipulate Small Samples To Create A Completely New Track. These snippets we often lifted from other records and Thus Started a new style of ?Sound-Collage?. The Original MPC60 Only Allowed Sample Lengths of Up to 13 Seconds. Sampling Memory was existentive at the time, which steered people to records at highher5 speeds in order to gain more time. The Side Effect was playback at a low resolution, which contributed to the grittiness of the sound. Famous Users includes Kanye West, Dr. Dre and Mark Ronson.

Strengths
- An amazing rhythm box with an authentic analog /digital sound engine to create classic sound performance.
- 11 sounds Original battery with additional parameters and possibility of overall accentuation
- Powerful battery sequencer of 64 not supporting the poly-meter, the repetition of the steps, the repetition of the notes, the trigger in real time, the setting In mute tracks and the solo of the slopes.
- 10 independent analog outputs for external treatment or recording your rhythms as a multi -ist audio.
- The integrated bus includes a generator D 'Waves and a bimode analog filter with assignment by voice.
- Recording, edition and reading live from the cut of the analog filter via automation.
- Storage of 16 pieces and 256 patterns, which can all be imported/exported during reading for an unlimited number of songs and patterns.
- The pattern mode allows you to organize the patterns in complete pieces and define the number of repetitions by part of the piece.
- The Song mode allows you to chain songs for concerts and extended compositions.
- The unique automatic scrolling function allows you to improvise in all modes.
- Full MIDI input /output /crossing and USB implementation for synchronization and connection to external devices .
- Synchronization options include USB, Midi, Clock and Internal for Maximum Versatility.
- Camer for settings like tempo, swing, probability, FLAM and RANDOM.
- High visibility LED display for easy edition of the program settings
- Powerful Helmet and main outputs on 1/4 "connectors

Technical characteristics:

voice
- Number of sounds 11
- Analog: Big Cais Sse Claire, Tom Basse, Tom Average, Tom High, Rim Shot, Clap
- Digital (sampling) Closed hat, open hat, crash, ride
- Number of simultaneous votes 10
- Controls of sound
- Level of accentuation
- Big cake: agreement, level, attack, decrease, height, depth of the note
- Caisse light: agreement, level, tone, slamming < />- Tom low, medium, high level, agreement, decrease
- Rim Shot /Clap: level
- Opened /Closed Hi-Ha Agreement: Level, Decline of the Agreement, Decline of the ' Oh
- Cymbal Crash: Level, Ride Level, Crash Tune, Tune Ride
- Selection buttons for voice selection buttons

Connectivity
- Outings:
- Phones 1 x 1/4 "TRS, Stereo, Impedance 8?
- Mono 1 x 1/4" TRS, SERVO -Equilibuted
- 10 x 1/4 "ts, asymmetrical
- input, output and crossing MIDI 3 x DIN 5 pins
- Triggering outputs 3 x +5 V, 2 ms impulse
- E Ntrée /Synchronization outlet 2 x 1/8 "TRS (Pointe for the clock and ring for the starting message)
- USB class USB 2.0, type B
- Operating systems taken in load Windows 7 or higher Mac OS X 10.6.6.8 or higher
- Master volume commands, phones
- Return (input) 1 x 1/4 "TRS, symmetrical