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midas DM12

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Online : immediate shipping
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Shipping: from 10000 €
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This item is warranted for 3 years
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Ref.: 215813

Description

analog mixing console 16 inputs for live and studio with micro midas preamplifiers

The compact DM12 respects your workspace on stage or in the studio, while offering incredible sound performance, amazing versatility - and an unrivaled level of accessibility.

What is the secret of the superb quality studio from the DM12? The DM12 is equipped with 12 award -winning microphone preamplifiers with a +48 V ghost diet. These preamplifiers are acclaimed by sound engineers around the world for their transparency and their nuanced low -room and high margin design. Add to this TRS line entries on the 16 channels (8 mono and 2 stereo), mono channel insertions and a 3-band equalizer with average frequency scanning, 2 switched pre/post-factor auxiliary departures, 2 monitor outputs and one Entrance/output RCA 2 tracks, and you get an analog work of art - the fully equipped DM12!

Live performance and studio recording
With 12 channels, the DM12 has more than shearing micro and line entries to manage a small group or a team of praise with channels to resell - both on stage and in the studio. It is also the ideal choice for use as a keyboard or battery submix for larger performance.

dedicated stereo inputs
Line channels 9/10 - 11/12 are dedicated stereo channels, which makes them ideal for stereo instruments, such as keyboards - and can also be used for mono signals thanks to practical balance on each Group of 2 channels. These channels can also be used as return inputs for signals sent to external effects for processing the effects.

sublimely Musical British EQ
British consoles from the 1960s and 1970s changed the sound of rock and roll - without them, the British Invasion might not have taken place. These legendary mixing tables quickly made the desire for engineers and producers from around the world. The 3 -band canal equalizer from our DM12 mixer is based on this same circuit, allowing you to impregnate the signals of incredible heat and a detailed musical character. The medium frequency balayable strip offers a wide tonal palette with which you can refine the ideal signal. Even when they are generously applied, these equalizers show sweet tolerance and superb audio quality.

Two auxiliary departures
The DM12 is also equipped with 2 auxiliary departures with Pre/Post Fader switching for more versatility. Users can choose to use them for the treatment of external effects, personalized monitoring mixes, or a combination of the two. Additional monitoring outings are provided from the main mix for stage or studio monitoring applications.

Classic precision
All the 60mm Faders of the DM12 have been carefully designed to offer a long lifespan and a very precise level adjustment, guaranteeing repeatable and flawless performance for many years.

Quality is our priority
While some manufacturers are rummaging on quality when they design small mixing tables, we understand that each mixer must offer without compromise performance and a set of robust functions. The DM12 is the very embodiment of quality, from its robust construction and its high -end components to this inimitable midas - the DM12 is a truly professional audio console.

quality/unbeatable ratio
Whatever your audio mixing needs, the DM12 offers the performance and features necessary to pass your talent to the higher level, at a price suitable for the user concerned with their budget. A professional sound quality, our legendary micro midas preamps, 3 -band equalizers with swept mediums, and much more, make the DM12 mixer an ideal tool for your concerts and recordings. Try it today, or do not hesitate to order yours online.

Architecture and engineering specifications
The audio mixing console will be analog design, suitable for live performance and studio recordings, and equipped with 12 micro Midas preamplifiers.

The mixing console must have 12 mono channels, and each must provide the following elements: 1 symmetrical XLR microphone input, 1 symmetrical ¼ "level ¼ level input, and an ¼" "trs insert. A gain command must make it possible to adjust the input signal from 10 to 60 dB (microphone) and -10 to +40 dB (line). An equalization order of the treble must provide a range of 15 dB of amplification and cut of the equalizer with shelves at 12 kHz. An equalization control of the mediums offers a range of 15 db of amplification and cut, and a median scanning control makes it possible to adjust the equalization of crest between 150 Hz and 3.5 kHz. An order to equalize the bass offers a range of 15 dB of amplification and attenuation of the equalizer with 80 Hz shelves. Orders to 1 and 2 allow you to adjust the auxiliary outputs 1 and 2 of 0 to + + 10 dB. A panoramic control makes it possible to position the mono canal in the mixing.

A PFL (PRE FADER LISEN) switch allows you to solo the track signal and to transport it to the main meters, monitors and helmets. A mute switch must make it possible to cut the sound of the track, and a peak del must indicate the overload of the track signal. A 60 mm mono track fader should allow the level of the track to be adjusted in the mixing.

The mixing console must have 2 stereo channels, and each must provide the following elements: 2 symmetrical ¼ "" "symmetrical inputs. A stereo gain order must allow the entry signal to be adjusted from -20 to +20 dB. An equalization order of the treble must provide a range of 15 dB of amplification and cut of the equalizer with shelves at 12 kHz. An equalization control of the bass makes it possible to increase or reduce by 15 dB the equalization to 80 Hz. Orders to 1 and 2 must make it possible to adjust the auxiliary outputs 1 and 2 from 0 to +10 dB. A balance control makes it possible to position the stereo channels in the mixing. A PFL (PRE FADER LISEN) switch must make it possible to solo the track signal and to transport it to the main meters, monitors and helmets. A sound cut -off switch makes it possible to cut the sound of the track, and a crest del indicates the overload of the track. A 60 mm stereo track fader should allow the track levels to be adjusted in the mixing.

The mixing console must be equipped with 2 symmetrical "TRS ¼ auxiliary outputs. Each mono and stereo channel must have a level order at 1 and 2. each auxiliary output must be fitted with a pre-factor/post-factor switch.

The mixing console must be equipped with 2 symmetrical "monitoring ¼ monitoring outlets. The level adjustment must be provided by a local level command. The output must be a copy of the main mix, or the pre-facade output of any solo lane (PFL switch committed), or the 2-track entry. The mixing console must be equipped with 2 asymmetrical RCA line levels and 2 switches to transport input signals to the main mixing or control outputs. There must be 2 unpaid RCA line level outlets to allow the main mixing.

The mixing console must be equipped with a TRS ¼ "" stereo output for monitoring in the main mixture or solo channels (PFL switch from channel committed). The level adjustment must be provided by a phones level command.
The mixing console must be equipped with 2 symmetrical XLR outputs to send the left/right final mix to amplifiers and external equipment. The adjustment of the end of the final mix must be provided by 2 faders masters of 60 mm. 2 insertion sockets ¼ "" for the main exit.

A 48 -volt overall ghost supply must be provided with each microphone input via a ghost power switch. A LED +48V indicates the activation of the ghost diet.
2 LED scales must indicate the levels of the main mixing or solo channels (PFL switch of channel engaged). A LED will indicate that the mixer is under tension, and a PFL Del will indicate that the Vumters control the solo channels.
The mixing console must be equipped with an internal cutting supply, capable of operating under tensions from 100 to 240 VCA, 50/60 Hz. Connection to the sector must be a standard IEC socket.
The dimensions of the mixing console are as follows: 95 mm height x 438 mm wide x 370 mm deep (3.7 x 17.2 x 14.6 ""). The nominal weight is 5 kg (2.3 lbs).

Strengths
- Analog mixing table for live performance and studio recording with 16 entrance channels
- 8 mono input channels with award -winning microphone preamplifiers
- 2 input channels stereo electronic balancing on TRS 6.35 mm connectors
- EQ 3 bands on the mono canals with swinged midfielder
- 2 auxiliary departures with pre/post fader switching
- 60 mm precision faders with long life
- Robust chassis for better durability in portable applications
- Universal supply to automatic range cutting
- Designed and manufactured in the United Kingdom

Technical characteristics:


Mono inputs
- Micro Midas preamp (preamp): 8
- Type: XLR, symmetrical
- Micro from the microphone to 60 db of gain, 50? From the source from the insert: -131 dbu, unptérée, 20 Hz at 20 kHz
- Micro from the microphone to 60 db of gain, source 150? At the start of the insert: -128 dbu, unptérée, 20 Hz at 20 kHz
- noise @ 10db of gain, departure from insert: -97 dbu, not weighted, 20 hz at 20 kHz
-Frequency response (-1 dB) at the main outlet: 20 Hz at 20 kHz (-1 dB)
-Frequency response (-3 dB) at the main exit: 70 kHz (-3 dB)
- microphone gain beach: +10 dB at +60 dB
- Maximum input level: +11 DBU @ +10 DB GAIN
- cmrr @ +60db gain: typically -90 dB
- Impedance: 2 ko, symmetrical
- Distortion (THD+N) at 0 DBU: 0.005% @ 1kHz
- Ghost power: switches, +48 V

Line entry
- Type: ¼ "" trs, symmetrical
- Impedance: 20 ko symmetrical / asymmetrical
- Line gain range: -10 dB to +40 dB
- Maximum input level: +30 DBU

Stereo inputs
- Type: 4 x ¼ "" trs, symmetrical
- Impedance: 20 ko symmetrical / asymmetrical
- gain beach: -20 dB at +20 dB
- Maximum input level: +21 DBU

equalizer
- Low: ± 15 dB @ 80 Hz, Shelving
- Mid (single inputs only): ± 15 dB @ 150 Hz at 3.5 kHz, semi-parametric variable
- High: ± 15 db @ 12 kHz, shelving

Channel inserts
- Type: ¼ "", asymmetrical connector
- Max input / output level. : +21 DBU

aux sends
- Type: 2 x ¼ "", symmetrical connector
- Impedance: 240 o symmetrical, 120 o asymmetrical
- Max output level. : +21 DBU

Monitor output
- Type: 2 ¼ "", symmetrical connectors
- Impedance: 240 o symmetrical, 120 o asymmetrical
- Maximum output level: +21 DBU

Main output
- Type: 2 x xlr, electronically balanced
- Impedance: 100 o symmetrical, 50 o asymmetrical
- Maximum output level: +21 DBU
- Main exit inserts
- Type: 2 x ¼ "" trs, asymmetrical connector
- Max input / output level. : +21 DBU

Phones output
- Type: ¼ "", asymmetrical connector
- Impedance: 25 o
- Max output level. : +21 DBU
- Entrance 2 tracks
- Type: 2 x RCA, asymmetrical
- Impedance: 20 KB
- Maximum input level: +21 DBU

Recording outlet
- Type: 2 x RCA, asymmetrical
- Impedance: 1 ko
- Maximum output level: +21 DBU

noise of the main mixing system
- Main mixing @ -?, Fader de Canal @ -? : -104 dbu, unptérée, 20 Hz at 20 kHz
- Main mixing @ 0 dB, Fader de Canal @ -? : -91 dbu, unptérée, 20 Hz at 20 kHz
- Main mixing @ 0 dB, Fader de Canal @ 0 dB: -84 dbu, unptérée, 20 Hz at 20 kHz

power / voltage (fuses)
- Tipping power supply: 100-240 V ~ 50/60 Hz, switches (t 1.6 A H 250 V)
- Electric consumption: 40 W
- Connection to the sector: STANDARD IEC socket

Dimensions / Weight
- Dimensions (H x W x D): 95 x 328 x 370 mm (3.7 x 12.9 x 14.6 "")
- Weight: 3.9 kg (1.8 lbs)
Brand reference number: 000-BGA01-00010

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Posted on 08/03/2023
By Daniel PICARD
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