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orange amps MICRO DARK TERROR + PPC108 BLACK

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Online : immediate shipping
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Shipping: from 10000 €
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This item is warranted for 3 years
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Ref.: 215490

Description

WELL, YOU DID ASK FOR IT...
Building on the overwhelming success of our acclaimed Dark Terror and Dual Dark amps, we’ve distilled thousands of customer demands into a pint-sized valve hybrid head – the Micro Dark.

The Micro Dark shares the same intuitive Shape control combined with a new 12AX7-driven high gain preamp section which yields screaming dirty tones that make a mockery of its miniature frame. Like its bigger brothers, however, the Micro Dark’s smoky black chassis and simple layout actually disguises its cunning versatility.

Of course, there’s plenty of gain on tap to satisfy even the most discerning devotee of distortion, but this little beast is by no means just a one-trick Metal monster! Beneath the menacing exterior you’ll find a rich and diverse pallette of classy and confident tones. From squeaky clean to brash and mean – whatever your style – you’re gonna love this thing.

Other features include a transparent fully buffered effects loop and a headphone output with our popular CabSim circuitry. With the optional matching PPC108 speaker cabinet, the Micro Dark makes for a perfect portable practice rig which also mics up superbly in the studio. To properly shake things up however, plug into a full sized Orange PPC412 and unleash the full potential of this remarkable micro amp head.

KEY FEATURES
VALVE/SOLID STATE HYBRID DESIGN
The Micro Dark sports a new high gain circuit which blends valve and solid state technology. The preamp uses single 12AX7/ECC83 valve and produces a huge range of usable tones with warm cleans, smooth overdrive and fat, singing distortion. Its solid state output section puts out 20 Watts and can be can be paired with any 8 or 16 Ohm cabinet.

SHAPE CONTROL
Our exclusive Shape control varies the midrange response whilst interacting with the bass and treble. Working from the 12 o’clock position, a subtle nudge to the left adds more midrange and smooths the highs. A clockwise notch or two reduces the mids and brightens the tone.

At the extremes the Shape’s effect becomes even more pronounced, especially as you begin to push the Gain control. A scooped, thrashy voicing with an aggressive ‘smiley face’ EQ is easily achieved in the fully clockwise position, whilst turning fully anticlockwise boosts the mids, for a more classic ‘bark’.

BUFFERED EFFECTS LOOP
The Micro Dark’s fully buffered, low impedance loop allows for any number of effects and cables to be patched in without sacrificing tone. It’s incredibly transparent, meaning your pedal arsenal will perform to its absolute peak.

CABSIM HEADPHONE OUTPUT
A popular feature on our Crush Series amps, the headphone output includes our CabSim circuitry which faithfully emulates the sound of a mic’d Orange 4×12″ cabinet loaded with our flagship Voice of the World speakers. Use headphones for silent practice or connect to a mixer/recording console to capture huge, authentic Orange tones in the studio.

Testimony

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envie de GROS son a domicile pour guitariste de chambre , il n'y a pas a hesiter , ce combo est absolument enorme , on passe d'un clean correct a un son metal des enfer avec un petit potard ( tout en passant par un crunch bluffant ) . de plus , j'ai testé cette tete au format ridicule sur un 4x12 , et bas , ca fait tomber les dents , et ca n'as pas grand chose a envier a des tete bien plus chere , et bien plus grosse . je recommande plus que vivement
Certified
Posted on 19/01/2022
By Dimitri Chavanon

Petite précision pour ceux qui se poseraient la question comme moi : il y a bien un jack dans la boite de la tête et un jack dans la boite du cabinet, donc inutile d'en racheter pour relier les deux.
Certified
Posted on 07/04/2020
By Théo Coquet

Super tete de cher Orange, le son déboite je surkiff
Certified
Posted on 09/01/2016
By Gilles Godefroy

Un son qui déchire pour sa taille
Certified
Posted on 11/03/2016
By frederic barnay

Super ensemble..!
Certified
Posted on 29/05/2016
By Philippe Gosse

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