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behringer POLY D

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Online : On order, currently unavailable.
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Shipping: from 10000 €
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This item is warranted for 3 years
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Ref.: 312095
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Description

The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive.

An ultra-affordable homage to that iconic synthesizer, with all the features of the original and then some, the Behringer POLY D lets you conjure up virtually any monophonic or polyphonic sound imaginable with incredible finesse and ease. The pure analog signal path is based on authentic VCO, VCF, VCA and ladder filter designs in conjunction with a dedicated and fully analog triangle/square wave LFO.

Owning a POLY D is like having your own personal time machine, enabling you to freely embrace the past – or shape the future!

Features :
- 37 Velocity sensitive full-size keys
- Four voiced design with poly-, mono- and unison modes
- 4 Analog VCOs with triangle, saw and pulse waveforms
- Noise generator with white noise and pink noise
- 24 dB Ladder-filter with resonance
- The filter characteristic van be switched: low pass/high pass
- Analog LFO with square / triangle waveforms
- 2 ADS-Envelopes for VCF and VCA
- Analog BBD stereo-chorus
- Integrated distortion with sound controls
- 32-Step sequencer
- Arpeggiator
- Pitch & modulation wheel
- Adjustable operating/control surface with 84 control elements for intuitive operation
- External power supply included (12 V DC)
- Symmetrical stereo outputs: 2x 6,3 mm jacks
- Adjustable stereo headphone output: 6,3 mm jack
- External audio input: 6,3 mm jack
- Inputs for V-Trigger, modulation, pitch-CV, filter & loudness: 6,3 mm jack
- Sync In/Out: 6,3 mm jack
- Outputs for V-Trigger, pitch, velocity and aftertouch: 6,3 mm jack
- MIDI In / Out / Thru
- USB-B Port
Brand reference number: POLY D-EU

Testimony

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Un bijou qui me permet de me plonger dans le travail de la synthèse du son. Le filtre est génial, le chorus colore super bien les sons et la disto permet de rendre un son bien puissant notamment en monophonique. L’absence de mémoire sur le synthè est un autre élément du boulot car cela oblige à savoir modifier les paramètres en se basant sur l’intuition et sur notre propre mémoire auditive. J’ai réussi facilement à paramétrer le poly d pour qu’il se câle à l’horloge midi de mon ordi pour synchroniser l’arpegiateur lors d’un enregistrement sur live 10. Il faut pour cela juste télécharger une appli sur le site beringher.
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Posted on 21/12/2020
By Lecompère Norbert
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Synthé mythique et à mon sens un des plus accessible en terme de complexité. Idéal quand on début la synthèse avec des possibilités de sonorités énormes
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Posted on 29/11/2023
By Theo CARRERE
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je pourrais vous dire pleins de choses sur ce synthé, mais je crois que tout à déjà été dit sur le net.
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Posted on 20/07/2020
By ULRICH VINCENT
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Excellent Synth.
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Posted on 11/09/2020
By Barr Hugo
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