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samson G-TRACK PRO

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Online : immediate shipping
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Shipping: from 10000 €
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This item is warranted for 3 years
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Ref.: 311395

Description

The G-Track Pro is a complete USB microphone with an instrument input, a mixer and a two-channel digital audio interface. With a resolution of 24 bits / 96 kHz, it is the best choice for musicians, podcasters or streamers wanting a simple to use, compact and powerful equipment.

On the microphone side, the G-track Pro is equipped with two 1 "(25 mm) wide diaphragm condenser capsules, offering three directional directions: cardioid, omnidirectional and directional, and includes a 6.35mm instrument-level input for recording. bass, guitars, but also keyboards and other line-level devices, ideal for musicians wanting to record a voice and an instrument simultaneously, or podcasters who can add participants by connecting a mixer to their G-track Pro .

The mixer part of the G-track Pro offers a separate volume for the Microphone and the Instrument input. A mono / 2-track switch lets you record the mixed microphone and instrument, or on separate tracks for later editing. The G-track includes a high-quality 6.35mm stereo headphone output with direct monitoring, as well as a Mute button for input - ideal for podcasters and gamers.

Characteristics :
- Selectable directionality: cardioid, bidirectional 8 and omnidirectional
- 25mm diaphragm
- Frequency response 50Hz - 20kHz
- SPL max: 120dB
- AD converter 24bit / 96kHz
- Integrated 2 I / O audio interface
- Headphone output with on-board level adjustment
- Monitoring without latency
- Instrument input for guitar / bass
- Line input for synthesizer, drum machine, mp3 player
- LED saturation indicator
- Buttons: Mute, Mic / Instrument / Headphone Volume, Monitor On / Off, Mono / 2 Track
- Compatible with Garage Band, Logic and most digital audio software
- Supplied with table stand and USB cable
- Dimensions: 116mm x 269 mm
- Weight: 1.6 kg
Brand reference number: 7647508000051

Testimony

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Excellent matos, rendus parfais !
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Posted on 12/12/2020
By Théo Beugnet
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