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dpa 4006ES

2576.47 $
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Online : within 3 weeks
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Shipping: from 10789.24 $
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This item is warranted for 3 years
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Ref.: 172485
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Description

Omnidirectional microphone 4006 ES DPA 4006th

The omnidirectional microphone 4006 offers total transparency in all recording situations. He captures details and a depth of his incredible. The definition of its high frequency characteristics on a wide range of instruments is impressive. It offers natural sound, high sensitivity, low background noise and a linear frequency response from 10 to 20 kHz (± 2 dB).

Built on Earth, tested on Mars


The NASA Rover March 2020 took off on July 30, 2020 for a seven -month trip to the mysterious red planet . He successfully posed on February 18, 2021 with a DPA 4006 omnidirectional, an MMA-A digital audio interface and an active modular MMP-G cable on board.

This microphone is completely linear and transparent. He won his status as a global registration standard and has become our most popular microphone. This highly sought -after microphone forged its reputation during the last quarter of a century by repeatedly demonstrating its total transparency in any registration situation.

omnidirectional microphone 4006E


When small, light and barely visible microphones are necessary for higher quality records, active cable design and clean sound And transparent of our 4006th ultra-compact micr-omnidirectional micridirection make it the ideal choice. The microphone has an integrated wiring solution with a cable output on the side (4006th) or to a drop (4006er).

These microphones are particularly appreciated as a stereo pairs A-B or Decca Tree in concert halls. The SM4000 suspension support is included in the packaging, which allows the microphone to be suspended from the ceiling to create a punctual and precise sound intake of the sections of the orchestra or the atmosphere.

This solution is ideal in theaters, operas, concert halls or places of worship, as well as for cinematographic applications, both in the studio and outdoors. These microphones are also very appreciated for setting up the mood on the scenes, in stages and other environments where the ambient sound must be recorded.

The 4006th replaces the old microphone with OMNI condenser microphone 4051 non -modular and the 4006er replaces the old microphone with OMNI 4052 non -modular capacitor.
Combine with the preamp of your choice
As for all modular pencil microphones, you can combine the OMNI MMC4006 capsule with the 'One of our preamps.

The MMP-A microphone preamplifier is a preamplifier without ultra-transparent transformer, with impedance balancing. The compact MMP-C microphone preamplifier is an ultra-compact preamplifier with an active command for impedance balancing. It has a slightly softer character than the other preamps for our pencil microphones.

Among the other preamps, we find the moduular active cables MMP-E (XLR output) and MMP-G (microdot output) , which allow you to make very fine assemblies. The MMP-G even allows you to associate a larger microphone directly with a wireless transmitter.

You can combine any of the preamps with any modular capsule of the microphones series pencil.

A few words on the OMNIS


An omnidirectional microphone is sensitive to all angles - in principle, it captures the sound equally in all directions . This gives you an extremely natural and realistic sound compared to a cardioid micro. Omnidirectional microphones are often used to capture ambient sounds, as well as to capture an important sound source, such as a choir, in a recording situation. Unfortunately, due to their sound intake configuration, omni microphones can also produce a lot of Larsen in live situations.

Nevertheless, we recommend that you first try an omni dpa because , when used near the sound source, the linear frequency response makes these microphones a flexible asset in your micro park. It will often give a more natural sound, it can withstand extremely high sound pressure levels, it does not suffer from the proximity effect and it is not as sensitive to wind, pop or manipulation noises that microphones microphones Directives.

strong points:
- Acoustic authenticity
- linear on a large bandwidth
- Detailed and natural reproduction
- High sensitivity and low noise level
- Excellent for concert halls and sounding of acoustic instruments
- Modular flexibility

technical characteristics:


- Directional motive: Omnidirectional
- Operating principle: Pressure
- Type of cartridge: Pre-popularized capacitor
- Frequency response: 10 Hz- 20 kHz
- Effective frequency range ± 2 dB: 20 ??Hz- 20 kHz
- Sensitivity, nominal, ± 2 dB at 250 Hz: 40 MV /PA; -28 dB re. 1 V /PA
- equivalent noise level, weighted A: Typ. 15 db (a) re. 20 µpa (max. 17 db (a))
-equivalent noise level, itu-r BS.468-4: Typ. 27 dB (max. 29 db)
- Distortion, THD <1 %129 dB SPL RMS, 132 DB SPL CREST
- Dynamic range: Typ. 117 DB
- Max. SPL, THD 10 % 132 DB SPL CREST
- Nominal output impedance: 100?
- Minimum load impedance: 2 K?
- Cable training capacity: 100 m (328 ft)
- Output balance principle: impedance balancing
- Rejection rate in common mode (CMRR)>: 40 dB
- Power supply (for optimal performance): P48 (Ghost supply)
- Current consumption: 3.5 mA
- Connector: XLR-3M. Pin 1: Armor, pin 2: Signal + phase, pin 3:- phase
- Color: black matte
- Weight: 114 g (4 oz)
- Microphone diameter: 16- 19 mm (0.6- 0.75 in)
- Capsule diameter: 16 mm (0.6 in)
- Microphone length: 35 mm (1.38 in)
- Maximum output voltage, RMS2.2 V
- Polarity + V on pin 2 for a positive acoustic pressure
- Temperature range-40 ° C at 45 ° C (-40 ° F 113 ° F)
- Relative humidity (HR): up to 90 %
- Adaptation tolerance (frequency and sensitivity response) ± 0.5 dB
- Phase deviation for Kit: <5 °
Brand reference number: 4006ES
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