Omnidirectional microphone 4006 er DPA 4006er

The omnidirectional microphone 4006 offers total transparency in all recording situations. He captures details and a depth of his incredible. The definition of its high frequency characteristics on a wide range of instruments is impressive. It offers natural sound, high sensitivity, low background noise and a linear frequency response from 10 to 20 kHz (± 2 dB).

Built on Earth, tested on Mars

The NASA Rover March 2020 took off on July 30, 2020 for a seven -month trip to the mysterious red planet . He successfully posed on February 18, 2021 with a DPA 4006 omnidirectional, an MMA-A digital audio interface and an active modular MMP-G cable on board.

This microphone is completely linear and transparent. He won his status as a global registration standard and has become our most popular microphone. This highly sought -after microphone forged its reputation during the last quarter of a century by repeatedly demonstrating its total transparency in any registration situation.

omnidirectional microphone 4006A

This is a very flexible solution. Engineers, diffusers and musicians can obtain a clean, natural and precise sound reproduction. This microphone is ideal for A-B stereo pairs for symphonic concert halls. He also excels on the voices, for taking up close closer to all types of instruments.

A wide choice of accessories is available, including equalizations of acoustic pressure, a nose cone and Interchangeable protective grids. These accessories make it possible to acoustically transform the microphone. By changing the grid, it is possible to obtain several frequency responses and unique directional characteristics. In addition, these accessories do not produce any phase shift, noise or distortion which would otherwise be introduced by an electric filter. These accessories are available in stereo kits and surround kits.

compact 4006c omnidirectional microphone

When a small, light and discreet microphone is necessary for a recording Superior quality, the micro OMNI Compact 4006C is the ideal choice.

It is a very versatile recording microphone. It is popular as a stereo pair A-B in concert halls where the quality of recordings can sometimes be compromised by classical architecture. The microphone can be mounted, suspended or hidden to create clean and transparent recordings.

It is ideal for use in theaters, operas, concert halls and places of worship - everywhere wherever There is a live audience. It can also be used for film recordings, whether in the studio or outdoors. Musicians like to use this microphone to make proximity to certain instruments, such as double bass, trumpet and piano. At the same time, they are fantastic for setting up at the scenes, in stages and other environments where the sound of the public must be recorded.

combine with the preamp of Your choice

As for all modular pencil microphones, you can combine the OMNI MMC4006 capsule with one of our preamps.

The MMP-A microphone preamplifier is a preamplifier without ultra-transparent transformer, with impedance balancing. The compact MMP-C microphone preamplifier is an ultra-compact preamplifier with an active command for impedance balancing. It has a slightly softer character than the other preamps for our pencil microphones.

Among the other preamps, we find the moduular active cables MMP-E (XLR output) and MMP-G (microdot output) , which allow you to make very fine assemblies. The MMP-G even allows you to associate a larger microphone directly with a wireless transmitter.

You can combine any of the preamps with any modular capsule of the microphones series pencil.

A few words on the OMNIS

An omnidirectional microphone is sensitive to all angles - in principle, it captures the sound equally in all directions . This gives you an extremely natural and realistic sound compared to a cardioid micro. Omnidirectional microphones are often used to capture ambient sounds, as well as to capture an important sound source, such as a choir, in a recording situation. Unfortunately, due to their sound intake configuration, omni microphones can also produce a lot of Larsen in live situations.

Nevertheless, we recommend that you first try an omni dpa because , when used near the sound source, the linear frequency response makes these microphones a flexible asset in your micro park. It will often give a more natural sound, it can withstand extremely high sound pressure levels, it does not suffer from the proximity effect and it is not as sensitive to wind, pop or manipulation noises that microphones microphones Directives.

strong points:
- Acoustic authenticity
- linear on a large bandwidth
- Detailed and natural reproduction
- High sensitivity and low noise level
- Excellent for concert halls and sounding of acoustic instruments
- Modular flexibility

technical characteristics:

- Directional motive: Omnidirectional
- Operating principle: Pressure
- Type of cartridge: Pre-popularized capacitor
- Frequency response: 10 Hz- 20 kHz
- Effective frequency range ± 2 dB: 10 Hz- 20 kHz
- Sensitivity, nominal, ± 2 dB at 250 HZ40 MV /PA; -28 dB re. 1 V /PA
- equivalent noise level, weighted A: Typ. 15 db (a) re. 20 µpa (max. 17 db (a))
-equivalent noise level, itu-r BS.468-4: Typ. 27 dB (max. 29 db)
- Distortion, THD <1 %: 136 dB SPL RMS, 139 DB SPL CREST
- Dynamic range: Typ. 124 dB
- Max. SPL, THD 10 % 146: DB SPL CRESS
- Switching toy, filters etc.0 DB /-20 DB
- Nominal output impedance: 200?
- Minimum load impedance: 2 K?
- Cable training capacity: 100 m (328 FT)
- Output balance principle: Impedance balancing with Active Drive
- Rejection rate in common mode (Cmrr):> 60 dB
- Power supply (for optimal performance): P48 (ghost power)
- Current consumption: 2.8 mA
- Connectorxlr-3m. Pin 1: Shield, pin 2: Signal + phase, pin 3:- phase
- Color: black matte
- Weight: 163 g (5.7 oz)
- Microphone diameter: 16 - 19 mm (0.6 - 0.75 in)
- Capsule diameter: 16 mm (0.6 in)
- Microphone length: 170 mm (6.7 inches) < BR />- Maximum output voltage, RMS8 V
- Polarity + V on pin 2 for a positive sound pressure
- Temperature range: -40 ° C at 45 ° C (-40 ° F at 113 ° F)
- Relative humidity (HR): up to 90 %
- Adaptation tolerance (frequency and sensitivity response): ± 0.5 dB
- Deviation of Phase for kit: <5- °