A versatile, do-everything guitar is an essential piece of any player's toolkit, and the 214ce-K fits the bill with its solid top and robust tone. Made with a solid Sitka spruce top and layered Hawaiian koa back and sides, this Grand Auditorium serves up rich projection and volume with balance and clarity, making for a highly adaptable tone that can cover a lot of musical territory. Players will appreciate the comfortable, accommodating feel of the Taylor Neck, and the Venetian cutaway makes it easy to access the highest frets. Visually, the layered koa back and sides add an organic visual flair. This model ships with ES2 electronics and a padded gig bag for safe transportation.
Grand Auditorium
When you think of a Taylor Guitar the chances are you think of a Grand Auditorium. For over 20 years it has been the classic Taylor body shape, with just the right blend of tonal balance, projection, note articulation, top end shimmer and unbelievable feel playability - it has been a hallmark of the guitar industry and a go to for players of all ages, abilities and musical direction. With a width / depth like that of the dreadnought but with sleeker lines and a narrower waist that make it easily identifiable from across the room - this most versatile of guitar platforms provides a level playing field and from bedroom, touring or studio musicians alike, just makes you want to keep on playing.
Layered Koa
Layered Hawaiian koa offers players a gorgeous visual aesthetic paired with long-lasting resilience and vibrant tone. Though less sonically complex than solid wood, layered koa ensures clarity and balance while remaining strong and stable through travel and humidity changes.
Sitka Spruce
Sitka Spruce is the most commonly used wood for guitar tops. Sitka generates a broad dynamic range and accommodates numerous playing styles from aggressive strumming to fingerpicking. As a guitar soundboard, Sitka spruce is the tonewood standard of the modern era. It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking.
ES-2 Pickup
If you need to amplify your sound, you'll love the revolutionary onboard ES2 pickup system. The 3 individual sensors located behind the saddle combine with the pro-grade preamp to deliver an unmatched dynamics, perfect for live or studio.
Body
- Binding Edge Treatment : White
- Back Config : Layered
- Rosette Size : Three ring
- Back/Side Finish : Satin
- Armrest : No
- Top Finish : Satin
- Rosette Material : Plastic
Neck
- Neck Width : 1-11/16"
- Type of Neck Joint : Taylor Neck
- Fretboard Wood : West African Crelicam Ebony
- Heel Length : 3-1/2"
- Fretboard Inlay : 4mm Dot Italian Acrylic
- Heel Cap Binding : White
- Neck/Heel : Tropical Mahogany
- Neck Finish : Satin
Peghead
- Peghead Finish : Satin
- Peghead Type : Standard
- Headstock Overlay : West African Crelicam Ebony
- Peghead Logo : Taylor Colorcore
Other
- Bridge Pins : Black
- Buttons : Chrome
- Edge Trim : Black/White/Black
- Scale Length : 25-1/2"
- Bracing : Forward Shifted Pattern
- Pickguard : Tortoise
- Tuners : Die-Cast Chrome
- Strings : Phosphor Bronze Light
- Body Width : 16"
- Nut & Saddle : Nubone Nut, Micarta Saddle
- Truss Rod Cover : Black Plastic
- Number of Frets : 20
- Case : Structure Gig Bag
- Body Length : 20"
- Body Depth : 4 5/8"
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