724CE
The all-new 724ce launches a new era for the Taylor 700 Series, introducing Select-grade Hawaiian koa to this popular family of acoustic guitars. This Grand Auditorium boasts back, sides and top of solid Hawaiian koa selected for its visual beauty as well as its punchy, lively musical response. You’ll hear a bold attack with an energetic tone profile that yields crisp trebles, a rich midrange and a low end that grows in over time. The super-thin matte finish makes for a raw feel and aesthetic that’s complemented by mother-of-pearl Fountain inlays, rosewood binding, a paua shell rosette and a dark-stained maple pickguard. It includes the ES2 acoustic pickup and a deluxe hardshell guitar case for storage and protection.
Grand Auditorium
When you think of a Taylor Guitar the chances are you think of a Grand Auditorium. For over 20 years it has been the classic Taylor body shape, with just the right blend of tonal balance, projection, note articulation, top end shimmer and unbelievable feel playability - it has been a hallmark of the guitar industry and a go to for players of all ages, abilities and musical direction. With a width / depth like that of the dreadnought but with sleeker lines and a narrower waist that make it easily identifiable from across the room - this most versatile of guitar platforms provides a level playing field and from bedroom, touring or studio musicians alike, just makes you want to keep on playing.
Hawaiian Koa
Hawaiian koa is a fairly dense tropical hardwood with a strong midrange focus similar to mahogany but with an extra slice of top-end brightness and chime. The more you play a koa guitar, the more of the bass range will blossom and grow - with strong midrange overtones adding a sense of warmth and sweetness to its voice and an overall harmonic sophistication and complexity.
Hawaiian Koa
A hardwood top such as koa produces a natural compression, so there tends to be more of a controlled, sustaining “roll-in” effect to a note. An all-koa guitar will produce a strong fundamental focus, with a splash of top-end shimmer. As a tropical hardwood, a koa top will initially project a bright and focused tone, especially together with koa back and sides, but as it's played, it matures into an increasingly warm, rich, sweet sound with healthy overtone ""bloom,"" especially in the midrange. A common mistake is when a ""bright"" player buys a koa-top guitar in part for its visual beauty, finds it to be too bright, and doesn't play it enough to allow the wood to develop its resonant tone. Goes Well With: Fingerstylists who play more with the pads of their fingers and tend to have a meatier touch. Bright players need to be careful because of koa's existing brightness.
ES-2 Pickup
If you need to amplify your sound, you'll love the revolutionary onboard ES2 pickup system. The 3 individual sensors located behind the saddle combine with the pro-grade preamp to deliver an unmatched dynamics, perfect for live or studio.
V-class Bracing
Bracing is the internal framework of an acoustic guitar that plays a vital role in the way the instrument shapes the sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar's sound: volume and sustain. The guitar's top (its soundboard) contributes significantly to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here's where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa). V-Class bracing changes all that. With Taylor's V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection - so it's the best of both worlds. This groundbreaking innovation also improves intonation, not only producing notes that are louder and with longer sustain — but more in tune with each other. V-Class bracing also boosts volume evenly across the tonal spectrum, increases sustain, and improves the natural intonation of the instrument by creating a more synergistic response from the soundboard. This fosters a more harmonious relationship between the notes you play, helping chords to ring out in cohesive splendor. Pick up a Taylor with V-Class bracing and experience it for yourself.
Body
- Binding Edge Treatment : Indian Rosewood
- Back Config : 2-piece or 4-piece Simons Wedge
- Rosette Size : Single Ring
- Back/Side Finish : Matte
- Top Finish : Matte
- Rosette Material : Wood and Shell, Indian Rosewood Frame, Paua Field
Neck
- Neck Width : 1-3/4"
- Fretboard Binding/Edge Treatment : West African Crelicam Ebony
- Type of Neck Joint : Scarf
- Fretboard Wood : West African Crelicam Ebony
- Heel Length : 3-1/2"
- Fretboard Inlay : Fountain, Shell, Mother of Pearl
- Heel Cap Binding : West African Crelicam Ebony
- Neck/Heel : Tropical Mahogany
- Neck Finish : Matte
Peghead
- Peghead Finish : Matte
- Peghead Logo : Shell/Mother of Pearl
- Peghead Inlay : Fountain, Shell, Mother Of Pearl
Other
- Bridge Pins : West African Crelicam Ebony
- Buttons : Polished Bronze
- Edge Trim : Maple / Black / Maple, Indian Rosewood
- Scale Length : 25-1/2"
- Bracing : V-Class Bracing
- Pickguard : Wood, Dark Stained Maple
- Tuners : Taylor Polished Bronze
- Strings : Phosphor Bronze Light
- Body Width : 16"
- Nut & Saddle : Tusq Nut, Micarta Saddle
- Truss Rod Cover : West African Crelicam Ebony
- Number of Frets : Strings
- Case : Taylor Deluxe Hardshell Brown
- Body Length : 20"
- Body Depth : 4 5/8"
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