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The Quantum 2626 fits within the Quantum series philosophy: an interface focused on speed and fidelity, designed to minimize latency without sacrificing audio quality. Its Thunderbolt 3 architecture and driver-centric design aim for a modern workflow, allowing quick transitions from recording to mixing, with conversion and clocking engineered to preserve transients and detail.
This interface targets demanding home studios, project studios, and hybrid setups that want to record multiple sources simultaneously (drums, bands, multi-mic recordings) while maintaining near-instant headphone response. With its numerous inputs, analog outputs, and digital I/O, the Quantum 2626 is also suitable for producers switching between vocal/instrument tracking, re-amping, integrating preamps or external compressors, and high-resolution mixing sessions.
The Quantum 2626 operates up to 192 kHz and relies on conversion boasting a 115 dB dynamic range to maintain a clean stereo image, clear lows, and smooth highs. The low-jitter clock contributes to a more stable playback, useful both during tracking and monitoring.
The XMAX microphone preamps (Class A, analog design) are engineered to capture sources accurately, maintaining headroom before saturation and a natural response. This is an appropriate choice if you record dynamic vocals, acoustic guitars, or drums where transient handling is critical.
With 26x26 simultaneous I/O, the Quantum 2626 facilitates routing to headphone mixes, control room monitoring, and external processing. The two direct outputs with two insert returns allow easy integration of analog devices into the chain without complicating cabling.
