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Four years after the original Babyface Pro, RME takes its best-selling portable interface further. The Babyface Pro FS retains the machined aluminum chassis and elevates the clock and conversion to the "FS" standard. The +19/+4 dBu level switch optimizes the signal-to-noise ratio with sensitive monitors, while the new ADCs reduce conversion latency to 5 samples in AD and 7 in DA, enabling more responsive headphone monitoring without extra power consumption.
Compact, robust, and USB-powered, this interface targets traveling artists, podcasters, streamers, and demanding sound engineers. RME drivers and TotalMix FX ensure exemplary stability in multitrack recording, low-latency streaming, and stage monitoring on both Mac and PC.
The "FS" clock maximizes jitter immunity for tight lows, precise transients, and a stable stereo image, including when externally synchronized via optical input. Paired with 24-bit/192 kHz converters, it guarantees consistent and reliable playback.
The mic preamps offer up to 70 dB gain with attenuator, overload protection, and 48 V phantom power. The line/instrument inputs on 6.3 mm jacks benefit from an improved S/N ratio of 116.3 dB and an 8 dB reduction in THD, capturing DI, synths, and drum machines with wide dynamic range.
Two XLR outputs and two headphone outputs with dedicated impedances use the same operational amplifiers as the ADI-2 Pro. Increased power (90 mW) and 0.1-ohm impedance ensure clean driving of modern headphones. The +19/+4 dBu switch helps keep faders near 0 dB in TotalMix FX.
Depending on needs, the optical port handles ADAT with SMUX or S/PDIF. MIDI is routed via a breakout cable, class compliant mode allows driverless operation, and standalone functionality with the K-slot secures sessions on the go.
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