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Introduced in the early 1970s, the Omnipressor was the first dynamic effects processor of any kind, suddenly making possible a new and wide range of dynamic effects unlike anything else who had preceded him. Originally invented by Eventide founder Richard Factor (and later redesigned for production by Jon Paul), the Omnipressor made a multitude of effects possible. It featured variable control of all aspects of dynamic editing. He also introduced the notion of “side chain” and predicted techniques we take for granted today, like “feedforward” processing. One of our first clients was young Brian May, lead guitarist for Queen. With the Omnipressor in his gear, his sound has never been the same.
Features:
- Dynamic processing with sound character and recognized functions
- Linear controls: threshold (-25 to +15 dB), attack (0.1ms to 100 ms), release (1 ms to 1s), attenuation limit (-30 to 0 db) and gain limit (+30 at 0 db), input level (-60 to +12 dB) and output level (-12 to +12 dB)
- Mix dry/wet
- line switch, bass attenuator and link switch
- Inputs and outputs on 6.35 mm jack and XLR
- Side chain on Jack and XLR, Link in/out on Jack
- Functions: Dynamic Reversal (strengthens weak signals and weakens strong signals), Gating (the amplitude of signals below a threshold is crushed), Expansion (strong signals become stronger, weak signals become weaker)
- Infinite compression
- Fast and versatile limiter
- Side Chain allowing you to control the Omnipressor with an external audio source
- Possibility of linking several units
- Mono TRS/XLR connection
- Comes with power cable, manual and goodies
- Dimensions: 483 x 317 x 89 mm
- 2-unit rack
- Weight: 6.4 kg
