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Behringer UB-XA

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899
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Online : immediate shipping
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Shipping: Shipping cost calculated on next step
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This item is warranted for 3 years
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Ref.: 386608

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Description

Essential Information About the Behringer UB-Xa Synthesizer

  • 16-voice polyphonic analog bi-timbral with 2 VCOs per voice, oscillator sync, and 3320-inspired low-pass filtering for the OB signature.
  • 61-key full-size semi-weighted keyboard with velocity and polyphonic aftertouch, compatible with MPE for per-note expressiveness.
  • 8-channel modulation matrix, 2 LFOs, 2 ADSR envelopes, and stereo VCA per voice for wide and lively placement in the mix.
  • Vintage Mode (8 signatures), 512 memories, arpeggiator and dual-layer sequencer, plus full MIDI and servo-balanced outputs.

A Modern Tribute to the OB-Xa Legend

The Behringer UB-Xa continues the sonic philosophy of the OB-Xa by adding contemporary features designed for stage and studio. Bi-timbral, equipped with dedicated controls and an immediate workflow, it captures the DNA of legendary brass and pads while offering modern stability and flexibility (split/layer, sequencer, MPE).

Who Is It For and What Are Its Uses?

Ideal for seasoned keyboardists as well as producers seeking an ambitious first analog polyphonic synth, the UB-Xa excels in synthwave, new wave, pop, disco/funk, techno, ambient, and film scoring. In the studio, its stereo per voice and bi-timbrality enrich arrangements; live, its expressive keyboard and front-panel controls encourage improvisation and quick editing.

Features and Innovations

Each voice houses two 3340 VCOs (saw, triangle, square with variable pulse width) with Sync mode, feeding into a 12/24 dB low-pass VCF per voice based on the 3320 with resonance. A stereo VCA per voice allows precise panning of layers and voices. Modulation is central to sound shaping: 2 LFOs with 7 waveforms, 2 ADSR envelopes, and an 8-channel matrix to route velocity, aftertouch, LFO, and more. No onboard effects alter signal purity; width and movement come from PWM, filtering, and stereo per voice. The arpeggiator and dual-layer sequencer (with real-time transposition) speed up composition. The Vintage Mode offers 8 signatures including iconic OBs, while the "compare and match" function and 512 memories streamline preset management. For integration, MPE and full MIDI (NRPN/CC, bulk save/load) ensure precise control; fully servo-balanced outputs and CV/pedal inputs secure hardware chaining.

Technical Specifications

Keyboard

  • 61 semi-weighted keys, full size
  • Velocity sensitivity
  • Polyphonic aftertouch
  • Assignable pitch and modulation wheels, spring-loaded

Synthesis and Voices

  • 16-voice polyphonic analog bi-timbral synthesizer
  • 2 VCOs per voice based on 3340 reproductions (saw, triangle, square with PWM, Sync mode)
  • Analog VCF based on 3320: 12/24 dB dual-slope low-pass per voice, adjustable resonance
  • Stereo VCA per voice for panning voices/layers
  • Multitimbrality allowing split or layer of two sounds

Modulation and Envelopes

  • Flexible 8-channel modulation matrix
  • 2 dedicated LFOs with 7 waveforms (PWM modulation, VCO pitch, VCF cutoff)
  • 2 ADSR generators per voice (VCF and VCA)

Sequencer, Arpeggiator, and Performance

  • Arpeggiator and dual-layer sequencer with real-time transposition
  • Assignable velocity and aftertouch for expressive performances

Controls and Interface

  • 26 rotary controls for direct access to key parameters
  • High-quality LCD screen with encoder for quick editing
  • Assignable preset recall switches

Memory and Modes

  • 512 user memories with "compare and match" function
  • Vintage Mode with 8 signatures (including OB-Xa, OB-8)
  • Authentic reproduction of the classic OB-Xa, including original factory patches

Connectivity and Protocols

  • Fully servo-balanced outputs for maximum signal integrity
  • CV/pedal inputs for expression pedals and footswitches
  • MIDI Polyphonic Expression (MPE)
  • Full MIDI (NRPN/CC control of all parameters, bulk load/save)
Brand reference number: UB-XA_EU1

Testimony

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Excellent poly analog, even without considering the "clone" aspect, it's quite a beast! A bit hard to get it to sound right at first, but after the first 2-3 sessions with it, it's incredible! It sounds good and in many different ways, the 12-pole filter works wonders, as soon as you put the voices in stereo it's madness... I thought the polyphonic aftertouch would be a gimmick, well now I don't want to do without it! Its first update was a real plus and fixed a lot of basic flaws! Still, there are flaws (and not minor ones): (-) The touch, way too light. (-) The calculator screen and its ridiculous viewing angle (-) No "back" button in the menus (-) Indigestible documentation (and that doesn't really follow the updates)... (Show more)
Certified
Posted on 13/10/2024
By Gwénolé B.

No effect. Too bad...
Verified
Posted on 10/09/2024
By JL D
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