The Essentials to Know About the Moog Subharmonicon Synthesizer
- 6-voice analog engine: 2 VCOs and 4 sub-oscillators for harmonically derived chords, with quantization and multiple tuning systems.
- Creative polyrhythms: dual 4-step sequencer driven by 4 rhythm generators dividing the tempo for rich and unexpected layered patterns.
- Moog signature: self-oscillating 4-pole Ladder filter and dual AD envelopes for everything from silky pads to sharp percussion.
- Semi-modular and Eurorack-ready: 32-point 3.5mm patchbay, MIDI, external clock, included power supply, and easy integration in studio or on stage.
Subharmonicon, Moog's Polyrhythmic Vision in the Lineage of Mother-32 and DFAM
Designed in Asheville, the Subharmonicon belongs to Moog's semi-modular family alongside the iconic Mother-32 and DFAM. Inspired by the subharmonic series and mathematical rhythmic divisions, it puts a unique instrument in your hands-halfway between synthesizer, experimental sequencer, and pattern machine. Its place in the Moog lineup: an explorer of derived chords and nested meters, crafted for composers seeking new musical heuristics.
For Curious Producers, from Ambient to Experimental Techno
The Subharmonicon suits motivated beginners as well as experienced users who want to sculpt evolving textures without complex menus. Perfect for ambient, minimal techno, synthwave, film music, or improvised live performances, it excels in compact modular studios and on stage to generate hypnotic patterns, deep basses, and shifting harmonies.
Features and Innovations
Based on analog subtractive synthesis, the Subharmonicon offers a six-oscillator paraphonic architecture (2 main VCOs and 4 mathematically linked subharmonics). The Moog 4-pole Ladder filter provides warmth and roundness, while two independent AD envelopes control the VCF and VCA. On the composition side, a dual 4-step sequencer interacts with four rhythm generators that divide the master tempo to create organic polyrhythms. The integrated quantization facilitates just intervals and stable chords. The extensive 32-point 3.5mm patchbay opens the door to internal modulations or dialogue with Mother-32, DFAM, and the Eurorack ecosystem. Synchronization is via MIDI or external clock, and the instrument can operate standalone or be mounted in a Eurorack system according to your needs.
Technical Specifications
Sound Engine
- Analog sound engine
- Sources: VCO 1, Sub 1, Sub 2 / VCO 2, Sub 1, Sub 2
- Filter: self-oscillating Ladder filter, low-pass, 4 poles (-24 dB per octave)
- Envelopes: VCA EG (Attack, Decay); VCF EG (Attack, Decay)
Sequencers and Rhythms
- Analog sequences x2
- Steps: 4 steps per sequencer, selectable quantization
- Clock: driven by all rhythm generators
- Rhythm generators x4
- Rhythmic principles: integer divisions of master tempo from 1 to 16
- Clock range: 20 to 3000 BPM (1 pulse per quarter note), MIDI clock, external clock
Connectivity and Patchbay
- 32-point patchbay in 3.5mm mini-jack format
- Inputs: 17 input jacks
- Outputs: 15 output jacks
- MIDI with included Type A adapter for DIN to 3.5mm conversion on MIDI input
Audio
- Audio outputs: 6.35mm TRS headphone or 6.35mm TS instrument output
Power and Safety
- Input: 100 to 240 VAC; 50 to 60 Hz
- Output: +12 VDC; 1200 mA
- Included: power supply
- Safety: Kensington lock slot
Format and Integration
- Standalone use or Eurorack integration after removing the front panel
- Dimensions: 319 x 133 x 107 mm
- Weight: 1.59 kg