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Complete software
Bundle Pro for mixing Pro-R, Pro-C 2, and Pro-Q 3 brings together three essential tools to build a clean, balanced, and coherent sound, regardless of your musical styles. It is aimed at producers, sound engineers, mixers, and audio content creators who want to work quickly while maintaining fine control over depth (reverb), dynamics (compression), and frequency balance (equalization).
Whether you are working on vocals, guitars, drums, synths, or full stems, this trio helps improve clarity, spatial sensation, and impact without compromising musicality. The set is particularly relevant for mixing in pop, rock, electro, hip-hop, film music, and podcast contexts, wherever clarity and spectral coherence are priorities.
Pro-R provides algorithmic reverb tailored for modern production: ideal for placing a vocal upfront without burying it, adding depth to a snare, widening a pad, or creating a more cinematic atmosphere. In mixing, well-measured reverb unifies tracks, adds dimension, and establishes a sonic signature. You can shift from a short, realistic room to a longer, enveloping tail depending on the musical intent.
Pro-C 2 is the kind of compressor you insert everywhere: on vocals to stabilize variations, on bass to gain consistency, on drums to enhance attack, or on a bus to "glue" elements together. Compression is not just about reducing peaks: properly set, it adds character, control, and a sense of intimacy. Pro-C 2 fits both corrective and creative approaches, from simple leveling to more pronounced dynamic sculpting.
Pro-Q 3 offers a 24-band equalizer designed for cleaning and enhancement. It facilitates resonance hunting, correction of low-mid build-ups, definition of highs, and overall source balancing. EQ is at the heart of a clear mix: it prevents masking, frees space for vocals, separates kick and bass, and builds a clear hierarchy among elements. Pro-Q 3 suits both quick tweaks and detailed sound design.
By combining reverb, compression, and EQ, this bundle covers a large part of daily mixing needs. You can organize a logical chain (corrective EQ, compression, finishing EQ, then reverb on send), or adapt the order according to your method. The goal remains the same: achieve a cleaner, more stable, and more three-dimensional mix, with tools designed to get straight to the point, whether on an individual track, group, or bus.
