30-day satisfaction guarantee or your money back
Call us : +33 257 880 074
en 
Complete software
Juno-106 is a virtual synthesizer designed to capture the spirit of an iconic instrument with a deliberately straightforward approach: load the plug-in, choose a sound base, then immediately shape the timbre by playing and listening. It targets both producers seeking a confident retro signature and musicians looking for a versatile synth for modern pop.
In a synthwave production, it excels on wide pads and chords with generous chorus. In house and techno, it delivers stable basses and sequences that remain clear in the mix. In film scoring, its character and simplicity allow for quick construction of atmospheres, musical drones, or warm harmonic layers without slowing down the creative process.
The synthesis is based on a digitally controlled oscillator (DCO) architecture complemented by a sub-oscillator, providing solid fundamentals and rich waveform rendering. This stability facilitates layering (doubles, chords, layers) and makes the sound particularly effective from the first adjustments, whether aiming for a round bass, a precise lead, or a smooth pad.
The resonant low-pass filter offers expressive behavior, very suitable for cutoff movements and resonance boosts. It allows transitioning from a muffled, velvety sound to a sharper timbre, while maintaining musicality that easily fits into the mix. It's an excellent foundation for sculpting patch dynamics and creating lively transitions in an arrangement.
A true hallmark, the stereo chorus offers two complementary "flavors" to widen the image, thicken chords, and add that retro studio-style movement. On pads, it creates a broad and enveloping veil. On leads, it adds density. On basses, it can add a touch of width (to be adjusted depending on context) for more present lines without turning your effects chain into a complex setup.
The LFO quickly introduces vibrato, tremolo, or filter sweeps to make a part more lively and "played." The ADSR envelope offers a responsive and intuitive response: percussive attacks, long releases, sharp plucks, or progressive pads. The overall aim is efficiency: fewer menus, more music, and sound design done by ear rather than endless tweaking.
Designed for modern production, Juno-106 naturally integrates into the software studio: automation of main parameters, instant saving and recall within the project, and quick preset browsing to switch ideas without breaking inspiration. The plug-in is also well suited for live performance thanks to a simple control logic and smooth mapping on controllers (master keyboard, control surfaces, knobs), enabling real-time control of filter, chorus, or modulations.
