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Scheps Omni Channel 2 is a mixing plugin designed to process a track like on an analog console channel strip while retaining the precision and versatility of digital. It is used to quickly shape the sound of vocals, drums, bass, guitars, or synths, delivering a coherent and musical result without multiplying windows or breaking the creative flow.
Its "all-in-one" approach makes it an ideal tool to speed up decisions: clean (filters, gate/expander), balance (EQ), control (compression, de-essing), and color (saturation) all within a single logical chain. Whether you are producing in a home studio, doing intensive mixing, or working live, its zero latency operation maintains a direct and responsive feel.
The Preamp module offers four harmonic signatures to go from simple density to true coloration: ODD, EVEN, HEAVY, and the new CRUSH, designed to push a track toward more pronounced distortion. This is particularly effective for making vocals stand out, thickening bass, adding bite to a drum room, or dirtifying a synth in a controlled way.
The high-pass and low-pass filters provide precise spectral shaping, with slopes up to 24 dB per octave and pronounced resonance, perfect for sweeping effects or more radical sound design. The Thump option adds a slight resonance in the low spectrum, useful for reinforcing a kick drum or grounding a bass in the mix without over-EQing.
Scheps Omni Channel 2 combines several EQ approaches to cover common modern mixing needs. It includes parametric stages and broader, more musical behaviors to handle both surgical corrections (removing harshness, resonance, masking) and enhancements (presence, body, air) with simple gestures.
The goal is to replicate the efficiency of a console: you can correct, sculpt, and highlight a source without stacking multiple equalizers. The result remains coherent because the entire system is designed as a single strip with a homogeneous overall coloration.
The DS2 module integrates two independent de-essers capable of controlling different frequency zones, with bandwidth and shape adjustments. This is not only to tame vocal "s" sounds: you can also tame amp harshness, reduce buzz in the upper midrange, contain overly hard brightness on overheads, or stabilize an overly acidic synth.
This "frequency-dynamic" approach helps preserve the character of a track while avoiding excesses, often more naturally than a simple static EQ.
The compressor offers four complementary behaviors: OPT (slow and smooth), VCA (fast and transparent), FET (between the two, with more character), and the new SOFT with a gentle curve. You can thus go from subtle smoothing of a vocal to firm control on a snare, or add sustain to guitars by choosing the compression "texture" that best fits.
The A/B/C/D comparison speeds up decision-making: you test several compression types and settings without losing track, then keep the version that best serves the music.
The Golden Gate module can operate as a gate or linear expander, with creative possibilities enhanced by sidechain, filtering, and MIDI learn. Routing options allow precise work in stereo or Mid-Side, useful for controlling the ambiance of a take, cleaning a mic without damaging the attack, or tightening the dynamics of a bus more selectively.
Beyond the ability to reorder the chain according to your method (for example, compress before or after EQ, de-ess before saturation, etc.), Scheps Omni Channel 2 adds the possibility to host any VST3 plugin (Waves or others) in its insert point. This way, you integrate your favorite effect at the heart of the Omni flow without multiplying instances or breaking the strip's logic.
FOCUS presets highlight the key settings to adjust depending on the source (vocals, drums, bass, etc.). This is an excellent starting point to save time while learning a structured workflow. Version 2 adds new FOCUS presets, notably to exploit the new CRUSH, SOFT, and 24 dB filter features.
