This pack contains:Designed for guitarists who want the legendary Marshall tone with modern, comprehensive control, the Marshall JVM 100W is an all-tube amp head designed for both stage and studio use. From sparkling clean to massive high-gain for rock and metal, this guitar amp head offers impressive power reserves and rare versatility, without ever betraying the sound DNA of the British brand. Marshall tones, from clean to extreme saturation With its 100 all-tube watts powered by 5 ECC83 tubes in the preamp and 4 EL34 tubes in the power amp, the Marshall JVM delivers a full, dynamic sound that is responsive to your playing. You can hear the roots of the famous JCM800 and Super Lead Plexi, with that typical midrange that cuts through the mix easily and a precise attack that is ideal for rock, hard rock, and modern metal. Clean tones remain defined and shimmering, while crunch tones sing with beautiful harmonic richness. Pushed to its limits, the JVM becomes a veritable riff and solo machine, with generous sustain and dense saturation that is perfectly suited to live situations.
Four channels, twelve sound personalities
The Marshall JVM offers
4 independent channels, each with
3 gain modes (green, orange, red), for a total of 12 voicings. The channel dedicated to clean sounds covers both crystal-clear tones and slightly pushed bluesy hues. The crunch channel offers textures ranging from the vintage grain inspired by the first Marshall stacks to the more aggressive crunch of the JCM80X. The high-gain channels effortlessly cover heavy modern rock, shred, and the most extreme metal registers, while maintaining precision and articulation even at high gain levels.
This architecture allows you to configure real “stages” of gain: clean rhythms, basic crunch, heavy rock leads, and ultra-saturated channels, all instantly accessible. Whether you're playing in a band, a cover band, or your own compositions, you can build a complete set without ever losing nuance.
Precise control and ergonomics designed for the stage
Despite the number of features offered, the JVM remains surprisingly intuitive.
Each channel has its own 3-band EQ (bass, midrange, treble), with
independent gain and volume controls gain and volume controls to perfectly adjust the level and tone. The digital reverb section offers dedicated controls for each channel, ideal for adapting the sense of depth to each type of sound. Two switchable Master Volumes allow you to instantly switch from rhythm to solo levels without having to adjust your settings.
On the front panel, the overall presence and resonance controls refine the response in the high and low frequencies, allowing you to quickly adapt the head to the cabinet used, the stage volume, or the style of music. The result is an amp that is both very comprehensive and very straightforward to use, perfectly suited to guitarists who are constantly rehearsing, performing, and recording in the studio. Perfect integration into modern rigs At the rear, the Marshall JVM features a range of connections designed to integrate seamlessly into a modern setup. The serial and parallel effects loops allow you to insert pedals and multi-effects exactly as you wish, with a mix control on the parallel loop to precisely adjust your external delays and reverbs. The XLR output with speaker emulation allows for silent recording or direct connection to a mixing console or sound card, while maintaining a realistic and usable sound. p>Extensive MIDI control (128 presets) allows you to control the JVM from an effects processor, MIDI controller, or stage management system, automatically recalling combinations of channels, masters, reverbs, and loops with a single preset change.
Programmable footswitch and preset management
Supplied with a 6-channel programmable footswitch, the JVM can be used in classic mode (channel selection, reverb activation, Master Volume change, loop management) or in preset mode, with multiple user memories. This allows you to save your favorite sounds (e.g., clean with reverb, light crunch, lead with volume boost, massive high gain, etc.) and recall them instantly at your feet. This flexibility makes the Marshall JVM a formidable tool for guitarists who want to switch from one vibe to another without compromise, whether live or in the studio. p>Combining power, versatility, and ergonomics, the Marshall JVM 100W condenses all of the brand's historic know-how into a contemporary amp head capable of keeping up with the most demanding guitarists in all genres, from vintage rock to modern metal.
Features:
The Marshall JVM 100W is a professional all-tube guitar amp head, ready to be paired with any compatible cabinet. Here are its main technical features, ideal for assessing its integration into your rig and its capabilities in live or recording situations. p>Power and tube section
- Power: 100 all-tube watts, designed for stage and studio use.
- Preamp tubes: 5 x ECC83.
- Power tubes: 4 x EL34.
Channels, modes, and settings
- Number of channels: 4 independent channels. (12 voicings in total).
- Equalization: Independent 3-band equalization (bass, midrange, treble) for each channel.
Independent gain and volume controls per channel for precise balancing.
Master Volumes: 2 switchable master volumes for switching between rhythm and lead sounds. Connectivity, effects loops, and recording
- XLR output: Silent recording output with speaker emulation. Effect Loops: Series and parallel effect loops, with mix control on the parallel loop.
- MIDI control: 128 MIDI presets for recalling complete configurations.
- Foot controller included: comes with a programmable 6-channel foot controller.
Format, dimensions, and weight
- Format type: All-tube guitar amp head.
- Weight: 22 kg. Designed to meet the sound demands of modern guitarists, the Marshall 1960 4x12 guitar cabinets (1960A, 1960B, 1960AC/BC, 1960AV/BV) guitar cabinets combine everything that makes the brand legendary: massive projection, characteristic tone, and rock-solid reliability. Behind their classic black and white look lies a veritable toolbox of sounds for rock, hard rock, and metal, perfectly suited to both stage and studio. p>
Three Celestion signatures to shape your sound
To suit the tastes and styles of every guitarist, the 1960 series is available with three types of Celestion speakers, each with its own personality. The 1960A and 1960B models feature 75W G12T-75 speakers with solid bass, biting highs, and hollow mids, perfect for modern sounds and tight distortion. The 1960AC/BC versions feature 25W G12M-25 Greenbacks, which are smoother and more compressed, highly prized for vintage, blues, and classic rock tones. Finally, the 1960AV/BV cabinets use 70W Celestion “Vintage” speakers, with a warm, dense, and singing sound, popular for leads and heavy rhythms.
Each configuration offers a distinct tone, allowing you to choose the model that best suits your tube amp, your playing style, and your band's style. The idea is simple: instead of changing your amp head, you optimize the last stage of the chain, where the sound really takes shape. 4x12 cabinet: the benchmark for rock and live performanceWith their four 12" speakers arranged in a 4x12 configuration and closed-back construction, Marshall 1960 cabinets deliver the classic rock wall of sound: powerful, focused, and capable of easily filling a stage. The 1960A model (tilted horn) projects more towards the guitarist's ears, making it ideal for small stages or situations without monitors. The 1960B, with its straight baffle, offers a more linear dispersion and an even more massive low-end feel, highly prized for full stacks. p>Whichever model you choose, the response remains responsive, dynamic, and perfectly suited to modern or vintage tube amps. The cabinet follows the nuances of your playing, from palm mutes and open chords to singing solos, without ever overwhelming them.
Mono, stereo, and switchable impedances
To easily integrate into any rig, the 1960A, 1960B, 1960AV, and 1960BV cabinets are switchable between mono (4 or 16 ohms) and stereo (8 ohms per side). The two mono impedance options allow you to pair most heads on the market without a technical splitter , while stereo mode is ideal for rack systems, stereo amps, or when using two different heads.
This flexibility makes the 1960s true “chameleon” cabinets: a single cabinet can serve as the main speaker for your Marshall head, stereo output for a stereo system, or even as a stereo output for a stereo system. chameleon" cabinets: a single cabinet can serve as the main cabinet for your Marshall head, as a stereo output for a rack system, or as a shared solution for two guitarists in rehearsal.
High-end construction, ready for the road
Robustness is key in the touring world, and Marshall takes great care in the construction of its 4x12 cabinets. The cabinets are made from 15 mm birch plywood with precision joints for excellent rigidity and sound projection. The finish black vinyl with an “elephant grain” pattern, the black grille with white piping, the large white Marshall logo, and the sturdy hardware all contribute to the iconic look and durability.
Solid, reliable, and aesthetically pleasing, Marshall 1960 cabinets are designed to withstand years of concerts, loading, and unloading, while retaining their legendary stack look. For the serious guitarist, it's a long-term investment as well as a sound choice.
Technical specifications
Here are the main features of the Marshall 1960 4x12 guitar cabinets to help you choose the version best suited to your amp, your style, and your stage or studio setup. Configuration and speakers Type: 4x12 closed-back guitar cabinet. - Applicable models: Marshall 1960A (tilted), 1960B (straight), 1960AC/BC (Greenback), 1960AV/BV (Vintage).
- Standard speakers: 4 x Celestion G12T-75 75 W (models 1960A / 1960B) .
- Vintage speakers: 4 x Celestion “Vintage” 70 W (models 1960AV / 1960BV).
- Sound character: from bright clean to rock/metal saturation, depending on the type of speaker chosen.
Impedances and operating modes
- Modes: switchable Mono / Stereo.
- Mono impedance: 4 ohms or 16 ohms (selectable).
- Stereo impedance: 8 ohms per channel .
Construction and finishes
- Wood: 15 mm thick birch plywood. .
Construction and finishes
Wood: 15 mm thick birch plywood.
Coating: durable black vinyl.
Grille:Logo:Hardware:Size and useDimensions: 12.5“ x 12.5” x 12.5"Weight: 10 lbs.Features: recessed handles, reinforced metal corners, sturdy casters (depending on series).
Format and use
- Cabinet type: 1960A / 1960AC / 1960AV with slanted front, 1960B / 1960BC / 1960BV with straight front.
- Application: intensive use on tour, in rehearsals, and in the studio.
- Target audience: intermediate to professional guitarists looking for a versatile and reliable 4x12 cabinet.
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