Complete software
WARM EVO is a tube saturation plugin designed to recreate the feel of a high-end analog tube preamp directly within your DAW. It is used to warm up a vocal, thicken an acoustic guitar, add more body to strings or brass, and bring a more organic presence to synthesizers. In modern production, it's also an excellent tool to make a track stand out in the mix without aggressively increasing volume: saturation adds harmonics, which enhances the perception of texture and detail.
Depending on the chosen setting, WARM EVO can remain very subtle (simple coloration and smoothness on the high end) or become a true sound effect, useful for more pronounced aesthetics: rock, pop, hip-hop, electronic, sound design, or controlled "lo-fi" treatments.
WARM EVO offers two tube behaviors to adapt to the source and artistic intent. The Velvet Tube mode targets classic, progressive, and musical saturation, ideal for adding warmth to vocals while maintaining clarity. It is also very effective on acoustic guitar, brass, strings, and keyboards when you want a more "studio" and intimate feel.
The Crunch Tube mode emphasizes deeper saturation, with more pronounced distortion reminiscent of a pushed tube amp. It's the natural choice to add character to an electric guitar, bass, or synths that need more aggressiveness, grit, and impact. Used on vocals, it can also create a more "industrial" or intentionally rough timbre, perfect for creative effects.
The OmniTube function applies the tube effect to the entire signal, rather than limiting it mainly to transient response. The result: a more uniform sense of density, very useful when you want a true "layer" of analog character, for example on a sustained synth track, a pad, backing vocals, or certain vocal takes that lack substance.
In practice, WARM EVO can be used in two ways: as a subtle treatment to smooth, thicken, and make a track more pleasant, or as an effect to transform texture and add warm distortion. This versatility makes it an everyday ally: light on a lead track, more pronounced on doubles, ad-libs, secondary synths, or instrument buses to create depth and a natural hierarchy in the arrangement.