THE SOLUTION to make notes last without deafening your friends in the rehearsal room or at a concert. There can be occasionally some slightly artificial reactions, but it's rare. Anyway, I can play Santana or Gary Moore at a reasonable volume. Example: our cover of Bowie's "Heroes" allows me to play Robert Fripp's parts in a completely realistic way. Less violent than an E-Bow, and more natural than the EHX Freezer, I think this is the only solution. Unless you buy yourself a 70s Yamaha SG2000 with a maple neck and a Mesa Boogie Mark I with the equalizer to boost the mid frequency: 750 Hz. Damn, I don't have that... So, thanks to Digitech!

A very original pedal, which must be tamed.

I was warned: you have to take it in hand. Sometimes that's exactly it, other times it sounds strange, but I'm improving. You can't put it everywhere but occasionally, this on-demand feedback is exhilarating. I'm not convinced by the dry off option, maybe for "ambiences" but it's not my thing. A must-have, but occasional.

Works very well, the feedback is amazing and easily controllable. Sometimes there is like a digital saturation when you are not precise enough, so one star less but I reassure you, I'm nitpicking. With a delay it's great! (Big delivery problem because of GLS which is a real pain, I hope Woodbrass will change carrier)