30-day satisfaction guarantee or your money back
Call us : +33 257 880 074
en 
The TB12 "Tone Beast" follows the spirit of studio discrete circuit preamps, valued for their more organic response and ability to enrich a source rather than simply making it louder. Here, the presence of CineMag transformers and multiple color paths (selectable operational amplifiers and output transformers) places the TB12 in the category of preamps capable of going from a relatively clean sound to a clearly thicker tone, with midrange presence and flattering harmonics.
Its approach is simple: you choose the circuit's "personality," then use its gain reserve to bring out the grain. The result is a preamp that is not only versatile but also invites creative recording, much like working on a console channel strip.
The Warm Audio TB12 targets ambitious home studios as well as production studios seeking a single-channel mic preamp capable of adapting to many situations: vocals, acoustic guitars, miked guitar amps, snare drum, overheads, room mics, and even synths or drum machines via the instrument input. If you are looking for a purely "transparent" preamp intended only to leave the signal uncolored, this is not its primary playground.
On the other hand, if you like to choose your color depending on the source (more vintage and warm, or cleaner and tighter), and if you appreciate the idea of pushing the gain to achieve controlled harmonic saturation, the TB12 becomes a true sonic signature tool. Thanks to the output control, you can increase coloration while maintaining a controlled level going to your audio interface or converter.
The TB12 offers two discrete operational amplifiers (1731 "Vintage" and 918 "Cleaner") and two switchable output transformers. At low levels, differences may seem subtle, but as soon as you start driving the preamp, the texture differences become clearer: more or less incisive attack, denser low-mids, more present harmonics. This is a real advantage for tailoring the preamp to a singer's voice, the snap of a snare, or the body of a guitar.
The TB12 likes to be pushed. The idea is to bring the amplification stage progressively toward saturation without reaching clipping, then adjust the final level with the output control. This working method is ideal if you want a livelier take, more "mix-ready," with a sense of depth and presence even before EQ.
The Tone switch changes the input impedance (600 ohms / 150 ohms), which can influence how certain microphones respond (level, low-end control, proximity effect). The transformer bypass switch offers an additional option to adjust overall coloration and perceived density, depending on whether you want to maximize the "iron" in the signal or achieve a more direct response.
The Hi-Z input routes the signal through the entire circuit, allowing you to benefit from the same sonic philosophy as with the mic input: component choice, coloration options, and gain management. This is especially relevant for recording direct bass, guitar with pedals, or electronic instruments that benefit from thickening before conversion.
The TB12 is described as "customizable": it allows you to choose other operational amplifiers and install them easily. For users who like to fine-tune their recording chain, this is a real plus, as the preamp can evolve with your tastes, microphones, and production style.
Certified
